the man who lay on the beach
dreaming, and analyzing the flowers - with the authentic words, and the glow, like liquid sunmelt all over my body and soul, launching an entire language into
my spirit for the first time
is having a baby.
at 26, my last guarded youthful fantasy
launching into tropical fruits, art in cobblestone streets, villas with linens, turquoise seas, and 100% natural attitude within it,
has been struck with life.
The kind that kicks you and tells you, "wake up! go to work." when your throat hurts.
Ay, the language of twisted trees with blossoms in the moon that smell amazing
and make your skin shake;
and the home I found on a greek island which I turned into
my room in a hole, in chinatown, to recreate every night in the same pajamas -
our youthful fantasy lives on and shakes its head at time.
dust; windex; clutter; sore throats, and babies.
18-22. 18-22. All of my fantasies, 18-22. cuban rooftops, dawn in Mycenaean territory, overlooking the goats; sunset with papaya and hawaiian gypsy music; the company is never so fresh.
22-26, 22-26. Same four years, and I've built a stale patience
of a woman.
I can swingdance for goofs and sautee artichokes and eating one in my cramped hallway floor straddling the heater, resenting a stale white striking some untuned chord in my heart.
I have to choose in the meaning of life to have meaning.
I have to choose in love, to wake up.
If I am not present, I am not. Why is life cold, if I have life. What use is a foggy city, with no angst. My skin needs some whisper, without bashfulness. A deep kiss, without self-consciousness. My curiosities have dwindled to shadows of themselves, like schoolnights in elementary school. Somewhere in there there was a fire, somewhere I was weary, somewhere I sang.
My guitars are all over my house, one in each room, each missing strings.
My orchid refuses to die, unwatered on my mantle, reaching up like a ballerina.
A tissue paper I destroyed in careful shapes damaged by the wind of opening and closing my door guards the exit of my room, with a drawing of my orchid etched into the tissue the color of the thin, south atlantic sea.
My computer shouts, "IT's Twelve O'Clock". My clay animals which are whisles, from Latvia and Panama and India and Mexico all look at me patiently. "This isn't over yet, Alice, this isn't over yet," and forgive me for not closing my drawers, or buying a new lamp in years.
May the bursts flow through me! Please, extend your half-life, push me to care about the corners of the good things, bear me again, I am not burrowing, I am here, help me present.